Patrick
Broguière's
musical career began when he was 15 as he bought his first electric
guitar, he was influenced by Ritchie Blackmore from Deep Purple. After
apprenticing with many rock bands and singers, he became guitarist in a
new wave band. His band was spotted by a producer in 1986, who
commissioned the singer Martin G to record three singles. Patrick
Broguière composed the music for two singles, thus making his debut in
production. At the same time, he’s pursuing a career as a sound
engineer thanks to a diploma he obtained from the École Nationale
Supérieure des Arts et Techniques du Théâtre in Paris. He then
discovered computer music and became particularly interested in
composition and orchestration. This led him to work as sound engineer
and arranger on Jean-Philippe Brénot's four albums. At the same time,
he continued his training as a composer, studying classical harmony and
counterpoint with composer Michel Capelier at the Conservatoire for
four years.
The story of his first album, "Brocéliande", began
in 1990, the year PB composed the music for a rock opera. Based on a
libretto by a young writer, Papillon, the project was to tell the
Arthurian legends with 10 singers. In the end, the opera was not staged
and Patrick Broguière reworked the music, extracting a 50-minute
instrumental suite in 1992. The album was signed at the end of 1994
with the support of the Musea label. This first CD was very favourably
received by progressive rock and electronic music fanzines. But his
music is far from being confined to these musical styles, and it is
difficult to define his style.
His
second album, 'Icônes', released in 1996, takes us on a journey through
the rooms of a strange imaginary museum. Icônes", inspired by Modest
Mussorgsky's "Pictures at an Exhibition", is also Patrick Broguière's
musical tribute to the work of five artists: Marie Althöfer, Bernard
Dutheil, Sabine Massenet, Hervé Thibon and Sarah-Catherine Wolff.
In
1998, Patrick Broguière released his third album, "Mont Saint-Michel",
on the Italian label Mellow Records. The album features ten pieces of
music freely inspired by the legends, architecture and symbolism of
Mont Saint-Michel, in a style that evokes Gregorian chant, classical,
rock, medieval and Celtic music, and evokes the architectural diversity
of the Mont, while the unity of the site is suggested by an omnipresent
motif. In the CD booklet, each piece of music is illustrated by a
miniature by the painter Hervé Thibon (painted using the "fixé sous
verre" technique). The booklet also includes ten texts by the writer
Nathalie Hureau with an English translation, given the international
vocation of the project.
His
fourth album, "Châteaux de la
Loire", released at the end of 2000, was inspired by seven of the
finest Renaissance castles in the Loire Valley: Amboise,
Azay-le-Rideau, Blois, Chambord, Chenonceau, Montsoreau and Villandry.
The music on the CD blends contemporary sounds with Renaissance dances
and turns of phrase: pavane or gaillarde rhythms, ancient instruments
and 16th-century harmonic cadences rub shoulders with electric guitars
and synthesizers. The original engravings by Hervé Thibon, reproduced
in the CD booklet, evoke the elegance of the various châteaux thanks to
the finesse of the "fixed under glass" technique.
This was
followed by a long hiatus during which PB published two books and
trained as a magician. Finally, in 2023, PB published both a French
reprinting of "Mont Saint-Michel" and a new album, "A Secret World",
inspired by the musician's secret garden.
Texte © Xavier Delfosse & PB
Translation : Jean-Philippe Brénot
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